A NEW BEGINNING (Part 3 & Last)

A NEW BEGINNING  (Part 3 & Last)

by Richard Banks 

He knows you are here and would like to meet you. Would you like to meet him, Tom?”       

         While it would be impolite to refuse, I’m sensing that once we meet Lancelot’s chum there may be no leaving this place. Tom evidently has no such fears and cheerfully accepts the invitation on behalf of us all. We are escorted further along the High Street to a red brick building that was once the administrative hub of the Parish Council. A policeman stands guard at the door and salutes us as we go in. Lancelot leads us up two flights of stairs before pausing at a door bearing the letters ‘Ai-Ai-Ouch’ and a smiling emoji. Lancelot also smiles in a way that is intended to reassure. “Don’t be alarmed,” he says, “there is nothing to fear, he really is a dear, dear friend.” He turns back to the door and administers two careful raps that are immediately acknowledged by a voice bidding us to enter. We do and Lancelot who is now behind us quickly shuts the door and puts himself firmly against it.

         The creature that bids us welcome contorts its long, beak-like face into an expression that is evidently intended to put us at our ease. I’m not sure whether he reminds me of a bird or a reptile, there are bits of both, but my capacity for expressing fear or revulsion is curiously muted.

         “Call me Ouch,” he says, “everyone else does.” The creature reaches out a long, black arm at the end of which a large pincher-like hand grasps our own, raising and lowering each one several times before allowing them to fall limply back to our sides. Having awkwardly observed a ritual with which he seems less than familiar he relaxes his face into an impenetrable blankness. The eyes that sparkled are now becalmed. He bids us sit down on the four chairs that have been set-out for us.

         Ouch has a deep voice that is almost a growl. He could roar if he wanted to but for now he talks quietly, taking care to do so clearly and precisely. In this he may be assisted by a metal disc on his desk that pulsates with the sound of every word. Ouch enquires solicitously about our health which we assure him has been unaffected by the mist. “Yes,” he says, “it is a tragedy, so many dead. It is the plague that can’t be cured, the emerald cloud in space that lays waste to everything in its path. It comes, consumes and continues on. Nothing can stop or divert it. All that can be done is to limit the damage it causes and render assistance to surviving lifeforms. That’s why we are here. Our mission is to help, and as you can see we already have made a small but promising start. But who         are we, you must be thinking; strange creatures indeed if they all look like me.” He gives out what he intends to be a chuckle of amusement. Tom reciprocates with a nervous guffaw. “Well, what can I tell you; we are Carn-a-tuns from the planet Carn-a-tus in a corner of the Universe we call the Golden Spiral. Until recently we were as unaware of yourselves as you were of us but as the mist neared this planet we observed much about it that we could not bear to see destroyed. I only wish we could have done more. Regretfully this village is only one of fifty sites on Earth that we have been able to preserve. But as your proverb says, from little acorns mighty oaks do grow and, with our support, there may soon be many sturdy saplings. As for yourselves I am happy to say that your troubles are at an end. There are 248 good people here, three less than when we arrived. Therefore, there are three vacancies which Lancelot has recommended should be filled by yourselves.”

         “But, what about the others?” I say, in a voice that sounds less than grateful. Ouch seems disconcerted by my intervention. The look of benevolence that has returned to his face momentarily falters but is rescued by the turning-on of his smile; this time it is a wistful, apologetic smile. “They can not be admitted,” he says, “regretfully they would overburden the limited resources of the village. But they will, I assure you, receive all the assistance we can offer. They have already been given the liquid they need and will soon be relocated to a place of safety. They send you their best wishes. I assure you their troubles are very much at an end. Now, as for yourselves I suggest you return to the Green Dragon, have another glass of the landlord’s excellent ale and meet the people with whom you will be billeted.”

         So, that’s what we do, and our fears and uncertainties vanish as we drink the liquid refreshment that is offered us. By the time we are taken to our new homes we are feeling more satisfied with life than anyone has a right to. Am I drunk? I don’t think so. In the morning it may be different, but when I wake up I still have this strange new feeling of carefree contentment. The man whose house I now share seems equally happy with life and when, in the afternoon, he proposes marriage I have no hesitation in accepting - well, it would have been rude to refuse. Tom and Clem have also settled into village life. Tom is the Town Clerk while Clem works for a farmer who has two daughters who constantly compete for his attention. Even by the standards of the village he is a happy man.

         So, it has all ended well, although, of course, nothing has truly ended. Life continues and new things happen that require us to adapt and change. Not that this makes us any less happy. The new things may be good, bad or indifferent but none of them have the power to change the way we feel. We observe and accept everything that comes our way. Lancelot tells us we should be grateful to our benefactors and we are. As long as we have the landlord’s special ale how can we be anything but grateful.

         The Carn-it-tuns are now a common sight in the village. It seems that Ouch and his fellow decision makers have decided that our regeneration should go hand in hand with the village becoming a heritage and visitor centre. Our Carn-it-tun visitors wander about the village observing us at work and play which we endeavour to make as entertaining as possible. Cheese making and straw plaiting is what I do, while others milk cows, plough fields or chase foxes. There is skittles in the Dragon, and Morris dancing in the street outside. Our visitors seem genuinely interested in everything we do and, unable to distinguish between public and private places, often find their way into our homes. They seem most interested in the babies, of which I now have two, and our WCs which are a constant source of puzzlement to them. When they ask, through their translation discs, what they are for I flush away several sheets of tissue and they depart even more puzzled than before. Sometimes they forget to turn-off their discs and we discover that they are journeying on to other visitor attractions: to Factory Land, Marine Town or Coal Valley. Sometimes we hear things we are not meant to know, about the man hunts in the Wilderness Zones and the human zoo on their own planet. Even worse, we now know that far from saving us from the green mist the Carn-it-tuns used it against us to kill and enslave.

         I should be feeling all sorts of strong emotion but nothing can disturb the warm glow of happy indifference that shields me from everything that should trouble me. It is the same for everyone else. For the first time in our lives we have been freed from the tyranny of sadness and anxiety. We lack for nothing. Our situation steadily improves. Children are born in increasing numbers and the land which was dead is now almost back to normal. We have been allocated two new fields while the rest of the land outside the village is tended by huge machines that Ouch assures us will produce new crops, the like of which we have never seen before. There will be some for us, he says, a special treat to mark the fifth anniversary of their coming. We murmur our thanks and raise our glasses to him. Happy, happy, happy! Has life ever been this good?

 

                                              [The End]      

 

                         Copyright Richard Banks