THE HIGH LIFE [Part 6]
By Richard banks
Frampton is in darkness. The live-in
servants are asleep after another long day. Their Master and Mistress also
sleep, but less soundly. As before they are in separate rooms. Despite it being
an hour past mid-night this is going to be a traditional sort of haunting,
think gothic - Frankenstein, Dracula,
The Premature Burial! And who could be more susceptible to all this fright than
a man half asleep and befuddled with drink.
I find him lying on top of the bed,
minus a shoe but otherwise fully dressed. In his monkey suit he reminds me of a
beached whale, but unlike the whale he’s red faced and wreaking of port. His mouth opens and closes and he mumbles aggressively at
someone or thing that, having entered his dreams, is filling them with thoughts
he would rather not think - discordant, troubling thoughts. But they
will be as nothing compared to what’s coming next. When he awakes he will find
himself in the company of William Perry, the third Earl, whose ill-gotten
treasure, so legend has it, is hidden somewhere on the roof. I announce his
presence in the deep, guttural voice I have been practising out of earshot on
the estate. In addition to my new voice, which is really rather good, I appear
to him as a whirl of white mist that often takes human form but never quite
comes into focus.
This would be alarming to anyone
capable of logical thought, but right now that’s not Neville, and, when he
wakes up, he’s too scared to do anything but obey the spectre hovering over
him. He’s there for the taking, and, after identifying myself as his ancient
ancestor, I spin him a story he’s unable to resist. Not only do I know where
the treasure is but the purpose of my visit is to show him where to find it.
Neville manages to look both terrified
and greedy at the same time. To his surprise the spectre’s saying something he
wants to hear and, on being told to follow on and do exactly what he’s told,
Neville stumbles out of bed only to see me squeeze under the door. He pulls it
open and totters after me, clutching at the bannister as I lead him up three
flights of stairs and into the fourth floor corridor where, having nothing to
hang onto, he bounces off one wall onto the other and back again, like a
pinball in an arcade machine. How he’s still on his feet not even he knows, but
he is, and on being told to exit through the fire door, throws himself against
it and crashes out onto the roof. This time he does hit the deck but he’s up
like a jack-in-a-box and peering back at the swirl of mist that he’s somehow
overtaken.
“What now?”
he splutters, and I point a ghostly arm at the walkway on the inside of the
battlements. There are steps that lead up to it, and he almost crawls up them
before straightening up and staggering towards the spot I continue to indicate.
“Here?” he bawls, staring down at the flagstone on which he’s standing. “No,
back one,” I tell him, almost forgetting to use my dead Earl’s voice. For a
moment he looks uncertain as though he’s beginning to smell a rat, but he steps
back anyway towards a gap in the wall where a merlon was once removed to
accommodate a cannon that’s now in the Armoury.
For the first time I use my own voice.
“Neville!” I snarl, letting out all the rage and loathing I have for him.
“Neville!” I bellow, in a louder voice, just as angry,
that causes him to back off another step. Then I turn into myself and fly at
him, shrieking as I do. For a moment I have the satisfaction of seeing the look
of horror on his face as he realises who I am and that he is powerless to keep
me from rushing at him. He panics, takes two more steps back, pedals air and
plunges down towards the delivery area outside the kitchen, narrowly missing
the only vehicle parked there. He hits the tarmac with a heavy thud, flips over
and lies motionless as little rivers of blood form a pool around his head and
shoulders. “What now?” he had said, and now he is finding out. For a few
moments I imagine his spirit rising up like mine had done, but this is no time
for wool-gathering, my night’s work is only half done. I hurry back through the
fire door and down the stairs to the first floor bedroom I once shared with
Neville.
Tonight only Mildred is there. She lies
on the same side of the bed that I once filled. Maybe this is in her thoughts
as well as mine. She is restless, turning towards the centre and then back
towards the edge where, but for the sheets she is clinging to, she might drop
down onto the floor. Behind closed lids her eyes twitch, she too is dreaming.
Once she had happy dreams, those days are gone; those ahead may very well get
worse.
“Mildred,” I say, nestling on the
pillow beside her head. She stirs, but doesn’t wake. “Mildred!” I hiss, and she
recoils away from me onto the nogo area that once was Neville’s side of the bed.
She’s awake now, very definitely awake and never more afraid, but worse is to
come. It’s show time again and I appear to her as myself, but this is the new
me, scary, demonic me, long hair swirling, my face horrid with hate.
Her body shakes with fear and she
passes out, as I thought she would. When she comes to I am kneeling on the bed
next to her. “How could you?” I say. She reaches out towards me but withdraws
her hand before making contact with my aura.
“This is not a dream,” I tell her, and
she nods her head to signify that she understands this only too well.
“Maddie,” she gasps. “How?”
“You mean. How is it that I’m dead?” my
voice angry and accusing.
This, needless to say, is not what she
means.
“I’m sorry, Maddy, I’m so, so sorry. I
should have said no. I wanted to say no, but I’m not as strong as you. He was
going to abandon me and the baby, to turn me out of Frampton with nothing but
my clothes and a train ticket back to
“But that’s true, isn’t it? You had got
used to the high life, couldn’t bear to be parted from it especially when the
alternative was a council flat or hostel for unmarried mothers; definitely
something to steer clear of, even if it did mean being an accessory to murder,
and not just any old murder, the murder of your sister who always did good by
you.”
“But, Maddie, I had the baby to think
about. Once it was born how could I have coped? No money, no home, no job, and
worse still no baby. They would have taken it from me, Maddy, I know they
would, and nothing I could have done would have stopped them. Please try and
see that. What I did was wrong, very,
very wrong, I know that, but please understand how desperate I was. Oh lore,
will I go to hell, Maddie? Tell me there’s no such place. You forgive me, don’t
you, please say you do. It wasn’t me who wanted you dead; it was Neville, he
gave you the poison, not me.”
She is contemptible and my aura flares
up as though someone has doused it with petrol. She deserves to die but that is
not my plan. She is my sister and our mother, who awaits us, should not be
denied another grandchild. So, I tell her what she must do and that if she
doesn’t I will haunt her every night for the rest of her life, and that it
won’t just be me. There will, I assure her, be demons and devils who will enter
her head and never go away in this life or the next. Of course, all this is
totally beyond my capacity to deliver but she doesn’t know that and judging by
the way she’s shaking, and the wetting of the bed, she believes every word.
“Up,” I command, and out of bed she
gets up. “Follow!” and we go along the corridor to Neville’s study where I point
her at the picture and tell her to open the safe. She looks bemused as well as
terrified. “What safe?” she asks, unaware that there is one, so I tell her what
she needs to know, including the numbers I saw Neville dial.
With the safe open it’s time to tell
her more. “The money inside belongs to Neville,” I say, “at least it did until I tipped him off the
battlements.” Her mouth droops open as she struggles to take in what I’ve said.
“Now it’s yours, every penny of it and in that box there’s diamonds, take those
too. You’re rich now, very rich, set-up for life rich, and the only thing you
need to do is disappear and never be found, because, if you’re found, your
life, and that of your child, will be a living hell. You’ll need some clothes,
so get packed.”
She nods her head and returns to the
bedroom where I watch her dress and pack a holdall with everything she needs to
see her through the next few days. “Money!” I screech and she dashes back to
the study for the money and diamonds. She’s ready to go but doesn’t know where,
so I tell her where and what she must do to get there, my six point plan which
I have her repeat six times before allowing her to creep out of the house and
into her car. She unlocks the entrance gates and on opening them is away to Folkestone
where she abandons the car near the ferry terminal.
And that’s where the trail ends for
those pursuing her, which includes the police and all the Fleet Street dailies.
Of course they think she has fled the country on a no passport trip to
Ten years on and her life continues in a part of the world far from Frampton. When she speaks of the past it is a construct of her own making. She has wealth enough to live in comfort for the rest of her life and, being out of reach of the police who wish to question her about Neville’s unexplained death, her only concern is not to antagonise the fearsome spirit that was once her sister. Her prematurely white hair is a constant reminder of our reunion of which she still has nightmares. Her son knows nothing of his aristocratic descent, or his five cousins who are happy and prospering under the guardianship of Neville’s brother. And me? What about me? Well, let’s just say that when the Guardian Angel returned I had quite a lot of explaining to do. But, pending the conclusion of several inquiries, two appeals and a judicial review, I’m still up high rubbing shoulders with the righteous. Long may it continue. They won’t be getting rid of me in a hurry, so, when you’re ready - "come up and see me sometime."
The End.
Copyright Richard Banks
A fitting end, well written, sustained my interest right to the 'sometime'
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